PAGES Program Overview 2016-2017
Performing ArtsТ Experience -Т Shawnee, Ohio
Performed with sampled archives, field recordings and live musicians, Shawnee, Ohio (2016) critically engages ecology, energy, place and personal history to ask: What are the sounds of mining? Of fracking? Of a town fighting to survive after a century of economic decline and environmental degradation? These sounds are recorded as compositional material reflecting layers of history and memory in Appalachian Ohio. Shawnee’s history includes coal, gas and clay extraction, and the formation of early labor unions. The town’s downturn and partial restoration act as an ethos of the struggles and hopes of the larger region, now immersed in a controversial fracking boom. Shawnee, Ohio considers these histories, evokes place through sound, and listens to the present alongside traces of the past.
Shawnee, Ohio is co-commissioned by the Wexner Center for the Arts at The Ohio State University, Duke Performances at Duke University, and the Contemporary Arts Center (Cincinnati). Shawnee, Ohio is a project of Creative Capital. It will premiere at the Wexner Center on October 27 and 28, 2016. It will be released on Dust-to-Digital Records in September, 2016.
Visual ArtsТ Experience -Т Leap Before You Look: BlackТ Mountain College 1933-1957
Leap Before You Look: Black Mountain College 1933–1957 focuses on how, despite its brief existence, BMC became a seminal meeting place for many of the artists, musicians, poets, and thinkers who would become the principal practitioners in their fields of the postwar period. Figures such as Anni and Josef Albers, John Cage, Merce Cunningham, Robert Rauschenberg, Elaine and Willem de Kooning, Buckminster Fuller, Ruth Asawa, Robert Motherwell, Gwendolyn and Jacob Knight Lawrence, Charles Olson, and Robert Creeley, among many others, taught and studied at BMC. Teaching at the college combined the craft principles of Germany’s revolutionary Bauhaus school with interdisciplinary inquiry, discussion, and experimentation, forming the template for American art schools. While physically rooted in the rural South, BMC formed an unlikely cosmopolitan meeting place for American, European, Asian, and Latin American art, ideas, and individuals. The exhibition argues that BMC was as an important historical precedent for thinking about relationships between art, democracy, and globalism. It examines the college’s critical role in shaping many major concepts, movements, and forms in postwar art and education, including assemblage, modern dance and music, and the American studio craft movement— influence that can still be seen and felt today.
Media ArtsТ Experience -Т Never Let Me Go
Never Let Me Go_Resources finalТ (link)
In his highly acclaimed novel Never Let Me Go, Kazuo Ishiguro (The Remains of the Day) created a remarkable story of love, loss and hidden truths. In it he posed the fundamental question: What makes us human? Now director Mark Romanek, writer Alex Garland and DNA Films bring Ishiguro’s hauntingly poignant and emotional story to the screen. Kathy (Carey Mulligan), Tommy (Andrew Garfield) and Ruth (Keira Knightley) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.